1 00:00:02,000 --> 00:00:07,000 2 00:00:08,000 --> 00:00:13,000 3 00:01:06,858 --> 00:01:09,486 If you're going to become an international brand, 4 00:01:09,611 --> 00:01:11,905 you have to have a name people can pronounce 5 00:01:13,114 --> 00:01:14,032 Pierre Cardin 6 00:01:16,493 --> 00:01:17,202 Pierre Cardin 7 00:01:17,202 --> 00:01:17,994 Pierre Cardin 8 00:01:17,994 --> 00:01:18,787 Pierre Cardin 9 00:01:18,787 --> 00:01:19,412 Pierre Cardin 10 00:01:23,208 --> 00:01:23,792 Pierre 11 00:01:23,792 --> 00:01:24,000 Pierre Cardin 12 00:01:24,000 --> 00:01:24,334 Pierre 13 00:01:24,334 --> 00:01:24,876 Pierre 14 00:01:24,918 --> 00:01:25,126 Pierre 15 00:01:25,126 --> 00:01:25,460 Pierre 16 00:01:25,460 --> 00:01:26,002 Pierre 17 00:01:26,127 --> 00:01:26,669 Pierre 18 00:01:27,087 --> 00:01:27,629 Pierre 19 00:01:28,004 --> 00:01:28,546 Pierre 20 00:01:28,546 --> 00:01:29,130 Pierre 21 00:01:29,422 --> 00:01:30,131 Pierre Cardin 22 00:01:33,384 --> 00:01:34,010 Cardin 23 00:01:34,052 --> 00:01:34,677 Cardin 24 00:01:34,677 --> 00:01:35,345 Cardin 25 00:01:36,763 --> 00:01:37,138 Cardin 26 00:01:37,138 --> 00:01:37,555 Cardin 27 00:01:37,555 --> 00:01:37,972 Cardin 28 00:01:37,972 --> 00:01:38,556 Cardin 29 00:01:39,099 --> 00:01:39,808 Cardin 30 00:01:41,768 --> 00:01:43,311 Pierre Car-- oh you just say it. 31 00:01:44,270 --> 00:01:45,605 Just say it, I'll drink. 32 00:01:45,605 --> 00:01:46,940 That'd be - Pierre Cardin. 33 00:01:46,981 --> 00:01:48,358 You know, Pierre Cardin. 34 00:01:48,358 --> 00:01:49,651 There's no one on the planet 35 00:01:49,651 --> 00:01:51,361 who's not going to recognize that name. 36 00:01:52,487 --> 00:01:53,947 That's an exaggeration, but 37 00:01:53,947 --> 00:01:55,949 it's not far from the truth. 38 00:01:56,658 --> 00:01:57,492 Pierre Cardin 39 00:03:09,397 --> 00:03:11,816 In a word, chic. 40 00:03:17,864 --> 00:03:20,867 Many of his ideas have become 41 00:03:20,950 --> 00:03:22,994 mainstays of the fashion industry. 42 00:03:22,994 --> 00:03:25,455 They were incredibly original and innovative 43 00:03:25,455 --> 00:03:27,165 when he brought them into play. 44 00:03:27,540 --> 00:03:29,709 He just revolutionized our business. 45 00:04:59,340 --> 00:05:00,550 A little bit of a sell-out. 46 00:05:00,591 --> 00:05:00,633 A contradiction. 47 00:05:03,511 --> 00:05:04,512 A control freak. 48 00:05:04,554 --> 00:05:07,181 A label, a logo, a legend. 49 00:05:10,351 --> 00:05:11,728 What's not to admire? 50 00:08:21,000 --> 00:08:24,003 When Cardin takes someone in, and someone joins 51 00:08:24,003 --> 00:08:25,046 the House of Cardin, 52 00:08:25,338 --> 00:08:26,881 you're like joining a family. 53 00:08:53,533 --> 00:08:55,201 The weird thing of course is that 54 00:08:55,201 --> 00:08:58,788 he's thought of as French designer Pierre Cardin. 55 00:08:59,121 --> 00:09:01,249 And he's not. He's Italian. 56 00:10:26,125 --> 00:10:29,253 Mussolini's road to power began in 1922 57 00:10:29,503 --> 00:10:31,964 when his fascist black-shirts marched on Rome. 58 00:13:14,168 --> 00:13:15,461 Vive la France 59 00:13:15,461 --> 00:13:17,296 Shouts ring from every throat. 60 00:13:17,963 --> 00:13:20,007 Including that of mademoiselle. 61 00:16:06,799 --> 00:16:10,135 It was a much smaller group or clique of people 62 00:16:10,135 --> 00:16:11,095 in those days. 63 00:16:14,098 --> 00:16:15,265 and so on. 64 00:18:05,542 --> 00:18:06,710 At the end of the day 65 00:18:06,794 --> 00:18:09,004 the real designers are the ones who know how to tailor. 66 00:18:09,129 --> 00:18:10,881 Then you could never be starving 67 00:18:10,881 --> 00:18:12,674 If you can tailor, you can eat. 68 00:18:13,550 --> 00:18:16,095 Immediately after World War II, 69 00:18:16,303 --> 00:18:19,098 he is connected to all these social events 70 00:18:19,098 --> 00:18:20,432 that are legends. 71 00:18:20,766 --> 00:18:23,268 He dressed Christian Dior as a lion. 72 00:18:23,393 --> 00:18:25,187 Cardin made that costume. 73 00:18:25,187 --> 00:18:26,605 This is 1948. 74 00:18:26,897 --> 00:18:29,066 And then at the Beistegui Ball, 75 00:18:29,316 --> 00:18:31,944 one of the great costume balls of the century, 76 00:18:32,069 --> 00:18:34,279 he contributed thirty costumes. 77 00:18:34,321 --> 00:18:35,989 On the Regio Canal, Venice, 78 00:18:35,989 --> 00:18:38,283 the Labia Palace has transformed for one night 79 00:18:38,283 --> 00:18:40,285 into a scene of 18th Century glory. 80 00:22:55,540 --> 00:22:58,210 Fourteeth floor, full of clothes. 81 00:23:20,315 --> 00:23:21,983 Here's the latest look from Paris, 82 00:23:21,983 --> 00:23:23,151 filmed in Paris. 83 00:29:50,246 --> 00:29:53,416 When I draw a dress, I'm not thinking tall or small, 84 00:29:53,500 --> 00:29:56,377 Japanese or French or American or Australian girls. 85 00:29:56,419 --> 00:29:58,630 I'm just thinking "dress" 86 00:29:58,630 --> 00:30:01,591 to put the body in some wonderful form, you know. 87 00:30:01,758 --> 00:30:03,927 He really brought that to the fore 88 00:30:03,927 --> 00:30:05,845 during the 50s and 60s 89 00:30:05,845 --> 00:30:08,097 where we were changing our idea 90 00:30:08,097 --> 00:30:10,141 as to what could be in a fashion magazine. 91 00:30:10,141 --> 00:30:11,643 Even from the very beginning, 92 00:30:11,643 --> 00:30:12,894 he didn't go 93 00:30:12,894 --> 00:30:16,189 for the conventional set of mannequins at that time. 94 00:30:16,815 --> 00:30:19,609 If he felt that they were right to show his creations 95 00:30:19,609 --> 00:30:22,445 and express his creativity and his designs, 96 00:30:22,445 --> 00:30:24,531 then he chose, then, the right frame of mind. 97 00:31:03,903 --> 00:31:06,197 It was a perfect marriage 98 00:31:06,197 --> 00:31:08,074 of model and designer. 99 00:31:08,074 --> 00:31:10,285 Once she was established, we knew 100 00:31:10,285 --> 00:31:12,704 that she was the one that would be wearing 101 00:31:12,704 --> 00:31:14,372 the main pieces of the season 102 00:31:14,372 --> 00:31:17,125 because she did have a real knack 103 00:31:17,125 --> 00:31:20,545 for wearing Cardin that none of them quite had. 104 00:31:36,644 --> 00:31:39,647 The diversity was quite refreshing. 105 00:31:39,981 --> 00:31:43,318 because during the 60s, here in the States, 106 00:31:43,902 --> 00:31:47,405 we were experiencing some true ugliness. 107 00:31:47,864 --> 00:31:53,119 I didn't like what my country was doing to people 108 00:31:53,119 --> 00:31:54,162 that looked like me. 109 00:31:54,287 --> 00:31:55,580 I still don't. 110 00:31:56,289 --> 00:31:59,751 In the 60s, he decided that it was okay 111 00:31:59,751 --> 00:32:01,502 to use a Japanese person. 112 00:32:01,502 --> 00:32:05,548 It's okay to use a person that looked like me with brown skin. 113 00:32:06,007 --> 00:32:08,092 What he was selling was not 114 00:32:09,135 --> 00:32:10,386 a color of skin. 115 00:32:10,595 --> 00:32:11,346 it's very important 116 00:32:11,346 --> 00:32:14,182 that Hiroko was a model in the 50s 117 00:32:14,182 --> 00:32:16,726 because it changes their perception of 118 00:32:17,060 --> 00:32:19,812 A Japanese woman, or what beauty can be. 119 00:32:20,229 --> 00:32:23,900 I was a Japanese, tattooed, lesbian. 120 00:32:23,900 --> 00:32:26,361 I didn't want to ever model, but what made me do it 121 00:32:26,361 --> 00:32:27,737 was because there was nobody 122 00:32:27,737 --> 00:32:29,364 that represented anything like that. 123 00:32:29,614 --> 00:32:30,573 And I thought, you know what, 124 00:32:30,573 --> 00:32:31,991 if there's a window of opportunity, 125 00:32:31,991 --> 00:32:33,660 politically, it had to be done. 126 00:32:33,660 --> 00:32:37,288 With fashion, I mean, you can reach billions of people 127 00:32:37,288 --> 00:32:38,790 with the cover of a magazine. 128 00:32:40,959 --> 00:32:43,294 He was extremely instrumental 129 00:32:43,294 --> 00:32:47,298 in being one of the designers to use models of diversity 130 00:32:47,298 --> 00:32:51,010 and all color, so for that, I thank him. 131 00:32:55,431 --> 00:32:58,393 The 1960s is this key decade in fashion 132 00:32:58,393 --> 00:33:00,520 where we start to see this idea of 133 00:33:00,520 --> 00:33:03,898 pre-War hierarchies of society should be broken down. 134 00:33:04,107 --> 00:33:05,984 What's been called "The Youth Quake" 135 00:33:05,984 --> 00:33:07,443 is a really big part of this. 136 00:33:07,527 --> 00:33:10,196 Breaking from the past, not wanting to wear 137 00:33:10,196 --> 00:33:11,656 what your parents wore. 138 00:33:59,662 --> 00:34:01,330 His clothing definitely moved away 139 00:34:01,330 --> 00:34:02,081 from having 140 00:34:02,081 --> 00:34:05,209 anything to do with the actual shape of the female form. 141 00:34:05,209 --> 00:34:06,961 So, of course, if you're wearing an A-Line dress, 142 00:34:06,961 --> 00:34:09,047 it's much easier to move around 143 00:34:09,047 --> 00:34:12,633 than it is if you're wearing a very tight, fitted dress. 144 00:34:13,009 --> 00:34:16,012 So, in a sense, I think that being able to move freely 145 00:34:16,054 --> 00:34:18,097 is empowering. 146 00:34:20,850 --> 00:34:23,061 It was not only "Women" 147 00:34:23,061 --> 00:34:24,645 and "Women of Freedom", 148 00:34:24,896 --> 00:34:27,857 but here is a coloful, exclaimation point 149 00:34:27,857 --> 00:34:29,192 at the end of a sentence. 150 00:34:40,078 --> 00:34:43,081 I see Pierre Cardin as somebody who was a feminist 151 00:34:43,414 --> 00:34:48,336 who understood also what women from the 60s and 70s 152 00:34:48,503 --> 00:34:50,338 needed in a designer. 153 00:34:50,338 --> 00:34:52,298 So Pierre Cardin was one of the first 154 00:34:52,298 --> 00:34:54,008 to really create beautiful silhouettes, 155 00:34:54,008 --> 00:34:57,011 beautiful clothes that were reasonably priced, 156 00:34:57,178 --> 00:34:59,430 and were made of materials that were practical. 157 00:34:59,430 --> 00:35:03,017 That you could wash and wear, or dry clean. 158 00:35:03,017 --> 00:35:04,977 It's just-- it's just beautiful. 159 00:35:05,311 --> 00:35:07,522 -If I stand up, will you see it? Yeah. 160 00:35:07,522 --> 00:35:08,272 Okay. 161 00:35:08,272 --> 00:35:11,776 Because it really is-- it really is kind of amazing. 162 00:35:13,611 --> 00:35:16,072 With Cardin, menswear changed 163 00:35:16,072 --> 00:35:17,323 so dramatically. 164 00:35:17,448 --> 00:35:20,910 Because menswear was so based around that men wore suits. 165 00:35:21,536 --> 00:35:25,540 So once we started to relax, a lot of people wanted Cardin 166 00:35:25,581 --> 00:35:27,708 because it was modern, and it was young, 167 00:35:27,708 --> 00:35:28,918 and it was different. 168 00:35:31,045 --> 00:35:33,756 Paul, John, George and Ringo. 169 00:35:34,006 --> 00:35:35,633 How did your style begin? 170 00:35:36,008 --> 00:35:37,135 Well, we got it from Paris. 171 00:35:37,135 --> 00:35:38,052 Yeah, Cardin. 172 00:35:38,052 --> 00:35:40,304 Groups didn't use to have this sort of jacket. 173 00:35:40,304 --> 00:35:42,390 they used to wear all new suits. 174 00:35:42,515 --> 00:35:44,016 We adopted this fashion. 175 00:35:44,058 --> 00:35:45,226 It's a French fashion. 176 00:35:45,434 --> 00:35:47,687 From whom? Pierre Cardin! 177 00:35:49,147 --> 00:35:52,108 When you're looking at a magazine, 178 00:35:55,278 --> 00:35:58,281 and then you get to Cardin, and you go, "Wow!" 179 00:35:58,739 --> 00:36:01,033 I've turned the page, and I've gone from 180 00:36:01,033 --> 00:36:03,119 the sexy women with a rolled umbrella 181 00:36:03,119 --> 00:36:03,995 and a little hat 182 00:36:03,995 --> 00:36:06,289 and suddenly I've got a girl with a geometric 183 00:36:06,289 --> 00:36:09,167 Vidal Sassoon haircut, and this amazing look, 184 00:36:09,167 --> 00:36:10,751 and it's modern. 185 00:36:10,751 --> 00:36:12,378 It says modern. 186 00:36:13,921 --> 00:36:16,340 No man can fully grasp 187 00:36:16,340 --> 00:36:19,510 how far or how fast we have come 188 00:36:19,760 --> 00:36:22,305 Man in his quest for knowledge and progress 189 00:36:22,305 --> 00:36:24,891 is determined and cannot be deterred 190 00:36:25,683 --> 00:36:28,102 The exploration of space will go ahead. 191 00:38:00,444 --> 00:38:02,530 With the circle is a perfect form. 192 00:38:02,530 --> 00:38:06,659 A circle is also a sphere, which is a globe. 193 00:38:06,659 --> 00:38:11,247 Which is a universe that he occupies. 194 00:38:11,247 --> 00:38:12,999 I mean, he covers the globe. 195 00:38:12,999 --> 00:38:14,875 He always has thought globally. 196 00:38:15,209 --> 00:38:17,545 It also was a symbol of eternity, 197 00:38:17,795 --> 00:38:20,798 and Pierre Cardin seems to be forever. 198 00:39:05,217 --> 00:39:07,136 He was just a futurist. 199 00:39:07,136 --> 00:39:11,098 He was a futurist in the way the designs looked. 200 00:39:11,098 --> 00:39:12,767 He was a futurist in his idea 201 00:39:12,767 --> 00:39:14,769 of how fashion can be a business. 202 00:39:15,770 --> 00:39:18,981 He was a futurist in his... 203 00:39:18,981 --> 00:39:22,735 sort of all-encompassing, all-embracing idea of 204 00:39:22,735 --> 00:39:26,197 art, and performance art, and architecture, 205 00:39:26,197 --> 00:39:29,325 and fashion, all being of one piece. 206 00:40:24,922 --> 00:40:26,757 There's always something extra 207 00:40:26,841 --> 00:40:29,593 It's true for his furniture, and it's true for his clothes. 208 00:40:29,593 --> 00:40:31,929 And I think that's what makes him so appealing. 209 00:40:31,929 --> 00:40:34,265 There's always a cherry on top. 210 00:45:16,672 --> 00:45:18,298 Pierre Cardin was one of the pioneers 211 00:45:18,298 --> 00:45:20,968 in making eyewear fashionable, 212 00:45:20,968 --> 00:45:23,178 both sunglasses and prescription. 213 00:45:23,595 --> 00:45:25,597 Prior to Pierre Cardin, 214 00:45:25,597 --> 00:45:28,100 the choices in eyewear were gold rim, 215 00:45:28,100 --> 00:45:31,103 tortoise, black and a combo frame 216 00:45:31,103 --> 00:45:33,981 like what Kevin Costner wore in JFK. 217 00:45:33,981 --> 00:45:37,276 All through the 70s and 80s, it was Pierre Cardin. 218 00:45:37,276 --> 00:45:40,529 that propelled the eyewear industry into designer. 219 00:45:50,622 --> 00:45:53,792 He certainly put power in the logo. 220 00:45:53,792 --> 00:45:58,672 The Helvetica, the anthromorphic, bimorphic P.C. 221 00:45:58,672 --> 00:46:01,049 He is not the first one to put a logo 222 00:46:01,049 --> 00:46:03,927 on the outside, but he's one of the first 223 00:46:03,927 --> 00:46:06,597 to know that he didn't have to do it discreetly. 224 00:46:08,098 --> 00:46:10,392 Branding is really a perfect way 225 00:46:13,270 --> 00:46:16,857 the aesthetics principles of this particular designer. 226 00:46:18,609 --> 00:46:19,651 Clear the runway. 227 00:46:59,525 --> 00:47:01,151 I mean, you can say the same thing happens 228 00:47:01,151 --> 00:47:03,320 with beer or cigarettes. 229 00:47:40,524 --> 00:47:43,026 is now fully recognized as branding. 230 00:47:43,026 --> 00:47:45,863 I think the first time I heard about Pierre Cardin 231 00:47:45,863 --> 00:47:48,615 was because someone I was dating was wearing the cologne. 232 00:47:59,668 --> 00:48:01,086 The bottle was fantastic. 233 00:48:01,295 --> 00:48:04,840 It was so chic architecturally just so extraordinary. 234 00:48:05,132 --> 00:48:07,968 Part of what makes it so provocative and fun, 235 00:48:07,968 --> 00:48:10,596 obviously references a penis. 236 00:48:10,596 --> 00:48:11,638 That's sex! 237 00:48:22,941 --> 00:48:25,027 Even these inexpensive towels 238 00:48:25,027 --> 00:48:28,572 have a graphic image that evokes Pierre Cardin. 239 00:48:34,286 --> 00:48:35,996 Wait! He did an AMC Javelin? 240 00:48:37,915 --> 00:48:40,709 With elegant and colorful upholstery, 241 00:48:40,709 --> 00:48:42,002 classic door panels, 242 00:48:43,378 --> 00:48:45,005 and chic headliner. 243 00:48:45,756 --> 00:48:49,092 The Cardin Javelin was really fully realized. 244 00:48:49,092 --> 00:48:50,886 It was pretty awesome. 245 00:48:55,015 --> 00:48:58,018 The Cardin option really gave them a piece of distinction 246 00:48:58,018 --> 00:48:59,978 that no other manufacturer had. 247 00:49:02,439 --> 00:49:05,651 Not content to being earthbound he lent his brand 248 00:49:05,651 --> 00:49:08,111 and his ethos to a plane, 249 00:49:08,111 --> 00:49:10,322 an executive jet by Westwind. 250 00:49:40,227 --> 00:49:43,105 It seems to me that it would have been an impossible task 251 00:49:43,855 --> 00:49:46,108 to keep track of it all. 252 00:49:48,986 --> 00:49:50,862 somewhere in the world going rogue 253 00:49:50,862 --> 00:49:53,031 and creating whatever they want 254 00:49:53,031 --> 00:49:55,701 and putting a Pierre Cardin label on it. 255 00:50:55,385 --> 00:50:59,097 From the very beginning, he never accepted any money. 256 00:50:59,097 --> 00:51:01,016 He never took a loan from a bank. 257 00:51:04,936 --> 00:51:06,980 Dior, the House of Dior, and the other Houses, 258 00:51:06,980 --> 00:51:08,065 they have been developed. 259 00:51:08,065 --> 00:51:09,858 But they have been developed by marketing teams 260 00:51:09,858 --> 00:51:13,111 and by marriages and alliances with other big corporations. 261 00:51:13,111 --> 00:51:15,238 Pierre Cardin belongs to Pierre Cardin. 262 00:51:36,593 --> 00:51:38,804 Pierre Cardin on the cover of Time Magazine 263 00:51:38,804 --> 00:51:42,390 is proof of the fact that he was well-regarded, 264 00:51:42,390 --> 00:51:46,478 not just as a designer of frivolities for women 265 00:52:20,595 --> 00:52:22,556 Welcome to Maxim's, my friend! 266 00:52:38,780 --> 00:52:42,325 Of all the things he would buy in Paris, 267 00:52:42,325 --> 00:52:45,245 he would buy the oldest Art Nouveau restaurant. 268 00:53:03,430 --> 00:53:04,181 Please. 269 00:55:09,055 --> 00:55:12,517 With Cardin, in spite of all the modernity, 270 00:55:12,517 --> 00:55:16,271 in spite of all the synthetics, in spite of all the shine, 271 00:55:19,065 --> 00:55:21,401 And that, I think, may be that 272 00:55:24,696 --> 00:55:28,074 sitting somewhere inside his genetic make-up. 273 00:55:30,910 --> 00:55:33,121 a certain warmth as a person 274 00:55:33,121 --> 00:55:35,665 which we may or may not always see 275 00:55:35,665 --> 00:55:37,917 in his public persona. 276 00:55:41,629 --> 00:55:44,090 to frighten or scare us. 277 00:56:14,079 --> 00:56:15,121 That already introduces 278 00:56:15,121 --> 00:56:17,123 that idea of fantasy 279 00:56:17,123 --> 00:56:18,958 and a big part of his fantasy is, 280 00:56:20,960 --> 00:56:25,965 The world of the future he saw as something global. 281 00:56:25,965 --> 00:56:26,883 He was in Japan 282 00:56:26,883 --> 00:56:29,886 when you hardly saw Japanese in western clothing. 283 00:56:29,886 --> 00:56:33,848 He was in China, when everyone was still in a Mao uniform. 284 00:56:33,848 --> 00:56:36,893 He was in the Soviet Union when there was no fashion at all. 285 00:56:36,893 --> 00:56:39,896 I mean, who ever thought of these places as markets? 286 00:56:42,816 --> 00:56:45,276 to wear the clothes that they wanted to wear. 287 01:05:48,861 --> 01:05:50,154 How many million dollars 288 01:05:50,154 --> 01:05:52,239 did this man make last year? 289 01:05:52,239 --> 01:05:54,951 His name is Pierre Cardin. 290 01:09:41,343 --> 01:09:43,804 Burt Bacharach was the musical conductor 291 01:09:43,804 --> 01:09:44,847 for Marlene Dietrich. 292 01:09:44,847 --> 01:09:49,351 So apparently, Burt let her know big girl's coming over. 293 01:09:49,351 --> 01:09:52,813 She did my sound check, she did my lighting, 294 01:09:52,813 --> 01:09:55,149 then proceeded to walk into my dressing room 295 01:09:55,149 --> 01:09:57,776 to look at the clothing I brought to wear. 296 01:09:58,027 --> 01:10:01,822 She took a hanger out, threw it in the hall. 297 01:10:02,239 --> 01:10:03,824 She was throwing my clothes out. 298 01:10:03,824 --> 01:10:06,202 I thought the lady had lost her mind, Ok? 299 01:10:23,677 --> 01:10:26,889 He was at, I think, every performance I did. 300 01:10:42,780 --> 01:10:44,448 We get to the Pierre Cardin theater 301 01:10:44,448 --> 01:10:45,908 and this is beautiful. 302 01:10:45,908 --> 01:10:47,451 All glass. 303 01:11:00,464 --> 01:11:03,634 71 was the year that we had pretty much 304 01:11:03,634 --> 01:11:06,136 terrified everybody in rock-and-roll. 305 01:11:06,136 --> 01:11:08,722 So, there we are, getting ready to do our show, 306 01:11:14,228 --> 01:11:16,063 and ran it through the glass window. 307 01:11:17,731 --> 01:11:20,067 They put Neil, my drummer, and myself, 308 01:11:20,067 --> 01:11:21,944 in a closet, a broom closet, 309 01:11:22,361 --> 01:11:24,863 with Bianca Jagger and Catherine Deneuve, 310 01:11:26,991 --> 01:11:28,284 And I went, 311 01:11:31,495 --> 01:11:32,913 When you think back of it now, 312 01:11:32,913 --> 01:11:34,081 with 20/20 hindsight, 313 01:11:34,081 --> 01:11:35,666 the idea of bringing Alice Cooper 314 01:11:35,666 --> 01:11:37,167 into a theater like that, 315 01:11:37,668 --> 01:11:39,712 I think he probably knew there was gonna be a riot, 316 01:16:13,819 --> 01:16:16,405 I do remember when I met him, 317 01:16:16,405 --> 01:16:20,534 I was probably twenty, 318 01:16:20,534 --> 01:16:23,245 and I remember him saying to me, 319 01:16:26,832 --> 01:16:29,918 And I was so shy, but it was such a big deal 320 01:16:30,669 --> 01:16:34,006 that he noticed me, I felt. 321 01:16:34,006 --> 01:16:38,135 And that he said this very particular thing to me, 322 01:16:38,135 --> 01:16:40,929 started to make me think that women 323 01:16:40,929 --> 01:16:43,098 all have a particular kind of beauty, 324 01:16:43,098 --> 01:16:45,100 and that we are all like flowers, 325 01:16:45,684 --> 01:16:48,353 and that we are all different kinds of flowers. 326 01:16:51,023 --> 01:16:54,443 really stayed with me, and really meant a lot to me. 327 01:18:17,442 --> 01:18:20,445 Watching Jeanne Moreau walk through a parking lot 328 01:18:21,738 --> 01:18:25,659 is akin to watching 329 01:18:25,659 --> 01:18:28,662 any other actress do a three-page monologue. 330 01:19:15,500 --> 01:19:19,588 I guess a lot of people doubted there was something there 331 01:19:19,588 --> 01:19:21,214 because they were more accustomed to the idea 332 01:19:21,214 --> 01:19:23,675 of Pierre Cardin with a man than a woman. 333 01:19:25,594 --> 01:19:27,763 why not with Jeanne Moreau? 334 01:20:41,503 --> 01:20:44,589 for it to be part of their discussion with a journalist, 335 01:20:44,589 --> 01:20:45,841 or an interview, 336 01:20:45,841 --> 01:20:48,510 or the motivation for their seasonal collection. 337 01:21:01,022 --> 01:21:02,607 Just for weekends, we fly 338 01:21:02,607 --> 01:21:05,777 many times to the south of France, 339 01:21:05,819 --> 01:21:09,447 also Tunisia or Italy for two or three days when we can. 340 01:21:09,531 --> 01:21:11,032 We go to the country. 341 01:21:11,199 --> 01:21:16,371 But in Paris, we are very few times out of the house together 342 01:22:11,134 --> 01:22:14,930 We have very different lives. 343 01:22:15,013 --> 01:22:17,057 He works very much, 344 01:22:17,098 --> 01:22:19,017 and he wants to be very quiet, 345 01:22:19,017 --> 01:22:20,101 a very quiet life. 346 01:22:31,613 --> 01:22:35,825 Lovely house on the Seine... 347 01:22:35,909 --> 01:22:41,122 and I think he'd rather be with very few friends. 348 01:22:53,259 --> 01:22:58,056 I love to go many times to nightclubs 349 01:23:00,183 --> 01:23:01,518 and things like that. 350 01:23:20,829 --> 01:23:22,372 Of course, in 1961, 351 01:23:22,372 --> 01:23:24,499 Pierre Cardin takes up with Jeanne Moreau. 352 01:23:57,157 --> 01:24:00,493 The relationship between Andre and Pierre Cardin 353 01:24:00,493 --> 01:24:04,706 survived this incident, and if I were Andre, 354 01:24:04,706 --> 01:24:09,627 I would rather have infidelity with a woman than with a man. 355 01:24:09,627 --> 01:24:12,088 But in the sort of history, 356 01:24:12,088 --> 01:24:14,799 one gets the sense of him as a sort of a rock. 357 01:24:17,010 --> 01:24:19,387 which is kind of a remarkable thing, right, 358 01:24:57,008 --> 01:25:00,470 Andre Oliver dies in 1993 from AIDS. 359 01:29:55,014 --> 01:29:58,393 I know he is hoping to build this tower in Venice. 360 01:30:02,397 --> 01:30:04,232 until he sees that thing built. 361 01:33:18,426 --> 01:33:20,052 One more time. - No. 362 01:33:54,712 --> 01:33:56,714 and again, and again. 363 01:33:56,714 --> 01:33:59,216 Yeah, people will always be inspired. 364 01:33:59,216 --> 01:34:00,176 He is one of the greats. 365 01:34:05,765 --> 01:34:06,766 I feel young.